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Back to the list of presented papers Creativity in Higher Education: Creative Universities and their Creative City:RegionsJames PowellAs part of its membership activities, EUA has launched a new project Creativity in Higher Education with support from the European Commission in the framework of the Socrates Programme - which aims to foster the development of creativity in European HEIs through good practices related to four network themes, involving all aspect of creativity in Higher Education and to contribute in developing and improving a culture of creativity. Within this context, Salford University is leading and coordinating a programme of work with a consortium of the seven European Universities mentioned above. In particular, a useful thematic network has been developed by the consortium of European HEI partners mentioned above, to explore all forms of creativity led by, and with, universities who themselves seek to be creative in their relationships with their Creative Cities and Regions. Early explorations of the consortium confirm the EUAs belief that, by and large, knowledge production is city based and that most knowledge-creative regions are anchored around a city and its environs, and therefore that their project is truly worthy. Detailed local case studies have been undertaken, focusing on all aspects of how: i) the partner universities have successfully and creatively engaged, and thus empowered, their city/regional partners in higher academic enterprise, enabling them to become more creative, and ii) urban/regional policy initiatives adequately support, or otherwise, creative HEIs who wish to become more involved in outreach and higher education enterprise. In this way, the consortium is building up a most interesting picture of: how improved creativity is engendered in university reach-out and HEIs are beginning growing relationships with their creative city:regions enabling them to flourish; the enablers and barriers to such creativity; the key contextual and policy drivers for constructive change; the role of quality assurance procedures in driving creativity; and some important critical success factors. This paper will present the latest findings of the consortium whose work will be completed and fully written up by the time of the conference. It will also describe its latest thinking concerning two important theoretical explorations it has been deeply engaged in, namely:
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